Dallas-style Agrippina at Opera Vlaanderen
/Tim returned to the Opera Vlaanderen in Antwerp this month to sing the role of Ottone in Handel's Agrippina. The production, by Mariame Clement, is set in the style of a 1980's US soap opera...
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Tim returned to the Opera Vlaanderen in Antwerp this month to sing the role of Ottone in Handel's Agrippina. The production, by Mariame Clement, is set in the style of a 1980's US soap opera...
Read MoreTim's new recording of Bach's solo alto cantatas 'Widerstehe doch der Sünde' and 'Vergnügte Ruh' and Pergolesi's 'Stabat Mater'...
Read MoreHandel's Theodora has long been one of Tim's favourite works, with Handel lavishing some of his most beautiful music on the character of Didymus. So there was no better way to see in the New Year than with a performance of the oratorio...
Read MoreTim recently returned to the Wigmore Hall in London for the third time in a month to sing the role of Endimione in Cavalli's 'La Calisto'...
Read MoreIn his final concert of a hectic 2015/16 season, Tim performed Bach's B minor Mass with Les Arts Florissants under William Christie at the BBC Proms in London...
Read MoreIn his final opera of a very busy season, Tim followed in the footsteps of countertenor greats James Bowman and Michael Chance to play Oberon in Sir Peter Hall’s classic production of Britten’s A Midsummer Night’s Dream at Glyndebourne...
Read MoreMelancholia, a new music, theatre and dance creation from directors Sebastian Nübling and Iwes Thuwis, has opened to much acclaim at the Theater Basel...
Read MoreTim has recently returned from a major European tour of George Benjamin's 'Written on Skin' under the baton of the composer in semi-staged performances. The opera has already been hailed a 'modern classic' and Tim has been increasingly identified with the crucial role of the Boy...
Read MoreIn the run-up to Christmas, Tim enjoyed success performing Handel's Messiah on both sides of the Atlantic. On 15th December Tim made a return to the New York Philharmonic, following his successful debut in the same work in the 2012/13 season...
Read MoreTim has made a triumphant, "world-class" (NRK Kulturhuset) debut as Britten's Oberon in Robert Carsen's classic production of A Midsummer Night's Dream at Bergen National Opera in Norway...
Read MoreCounter-tenor Tim Mead is praised for his elegant and warm tone with faultless projection and stylish interpretations. His virtuosic performances have drawn much international attention, and he is recognised as one of the finest across the generations of counter-tenors.
Management: Julia Maynard, Intermusica , +44 (0)20 7608 9902, jmaynard@intermusica.co.uk